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Tiit Hennoste Full Text Available The topic of this article is the literary discourse of Young Estonia; its relations with other important Estonian literary discourses from the beginning of the 20th century, and its relations with colonial cultural discourse.

The point of departure for the Young Estonian approach to literature was eurocentrism.

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They took a superior and negative view of existing Estonian literature, which they regarded as having fallen drastically behind Europe. Since it was unable to build on its own foundation, it had to borrow from Europe.

New culture could be created freely, without the support of previous local tradition; it was to be an elite culture, while the writer remained an individualist. The formal ideals of the work of art were classicist: unity, integrity wholeness, harmony, order, logic, etc. Thirdly, I outline the basic positions of colonial thinking about culture, and compare the Young Estonian approaches to literature with colonial thought.

The foundation of colonialism is eurocentrism: if Europe is the core; everything else belongs to the periphery, and regarded from the outset as of lesser inherent worth: colonialism is characterized by a superior and negative attitude toward local culture. The mission of colonialism is to bring the periphery into the sphere of influence of the enlightened core.

The bases for the creation of colonial culture are ready-made models and categories, and the outcome of colonization is culture constructed according to a model.

The outcome of kesan fat burner lipo 6 analysis is that the Young Estonian way of thinking is in close consonance with the colonial way of thinking.

Those attitudes that Young Estonians did not adopt, or those they relinquished and discarded, are in opposition to it. My own basic claim is that the Young Estonians unconsciously carried a colonial way of thinking, and that they might be considered to be self-colonizers.